The Big Wedding
The Big Wedding (2013)
Director: Justin Zackham
Actors: Robert De Niro, Diane Keaton, Susan Sarandon
Synopsis: Adopted son, Alejandro (Ben Barnes), of the well-to-do Griffin clan is due to marry his sweetheart, but when he learns his strict Catholic biological mother will be coming to the wedding, he asks his now-separated adoptive parents, Don (Robert De Niro) and Ellie (Diane Keaton), to fake still being together for the sake of the ceremony…
Review: Over the last half-dozen years, I’ve set myself the goal of committing my thoughts to paper for every single movie that passes before my eyes. It doesn’t matter whether it’s a rigorous critique, a tangential piece loosely inspired by the film, or simply an obligatory paragraph – I felt it would be a great practice to get into for my writing as a whole, but also fantastic discipline for my cinephilia – to be engaging with the art of rhetoric and the medium itself on a continual basis.
Never has that practice felt more laborious and obsolete, than after being privy to the 85 minutes of utter fluff they call The Big Wedding. It comes from that highly questionable subgenre of films I call ‘lifestyle porn’ (usually helmed by a Nora Ephron or Nancy Meyers). These movies are based round the notion that throw a starry ensemble cast together, put them in luxurious, ultra-bourgeois settings (somewhere like The Hamptons or a preppy suburb of Connecticut), give them a crowd-pleasing, screwball narrative, and Hollywood magic will be manifest. The problem with that recipe is in its smug, self-appointed sense of fun. As the Oceans Eleven series pretty much proved, the sight of Hollywood stars enjoying themselves and clowning around, doesn’t necessarily a motion picture make. The only one that kind of got away with it was Santa Barbara farce It’s Complicated – the gold-dust Streep-Baldwin-Martin trio keeping the energy just about bubbling over its flaws.